menken’s lights
“There is something so emancipating about Marie Menken’s experimental short film, Lights (1966). It expresses a sort of child-like wonder in the way in which the camera transforms what it sees – municipal Christmas decorations into streaking discs of glowing colour and traffic into living electrified scribbles. You get a sense of Menken playing and exploring, embracing the ‘failure’ of the technology at her disposal to cope with light, time and motion, producing vibrant smears and patterns from otherwise rather ubiquitous components.
With this playfulness in mind, I tried something quick and dirty: painting a sheet of glass with black acrylic paint, before scratching parts of the painted surface away in the form of lines of irregular dots and dashes. The painted sheet of glass was then positioned in front of windows, bright environments and television screens, and the surface of the glass photographed.
Sometimes, during one exposure, I would push the focus from pin-prick sharp to diffuse, which had the satisfying effect of ‘spherizing’ the scratched patterns on the surface of the glass, producing the illusion of strings of lights or illuminated bubbles. I don’t mind admitting some of the resulting images had me laughing out loud with pleasure, so closely did they recall the aesthetic of mid-century avant-garde animations and the like. It gave me a secret squizz of pleasure too – the trick of it, the very fact of me not, in fact, photographing strings of fairy-lights or pastel-coloured Christmas baubles, or those long balloons out of which you might fashion a poodle: no, just a sheet of glass, painted black, with marks scratched into it using the end of a matchstick and a zester swiped from the kitchen drawer.” August, 2021
